By D. Kalmanowitz
The impression of political violence, struggle, civil conflict and acts of terrorism at the members concerned may be vast. paintings remedy promises a good technique of expressing the ensuing stories of worry, loss, separation, instability and disruption. paintings treatment and Political Violence brings jointly contributions from worldwide and from different theoretical backgrounds. With contributions from Northern eire, Kosovo, Israel and South Africa, the publication comprises various scientific examples to vividly illustrate the most concerns affecting artwork remedy. the sensible matters concerned also are mentioned, together with matters equivalent to the significance of operating with either the interior and exterior worlds of the person and sensitivity to cultural matters. paintings therapists, psychotherapists and different psychological healthiness pros, relatively these operating within the context of political violence or in nations of safe haven, will locate the reviews acknowledged in artwork treatment and Political Violence thought-provoking and may welcome the wealth of functional info supplied.
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Extra resources for Art Therapy and Political Violence
Spencer, J, and Yawetz, C. (1992) ‘When less is more or at least enough’, British Journal of Psychotherapy 8(4): 401–12. A. (1990) In Quest of the Hero, New Jersey: Princeton University Press, viii. B. (1863) ‘Wild men and beast children’, Anthropological Review 1: 21– 32. D. (1975) The Theory and Practice of Group Psychotherapy, New York: Basic Books. K. ) (1980) A Teaching Seminar with Milton H. K. Brunner/Mazel. , and Moyes, W (1988) The Power of Myth, London: Doubleday. Gersie, A. (1991) Storymaking in Bereavement, London: Jessica Kingsley.
We structure our lives around specific meanings, as meanings attributed to events influence our behaviours. Thus, in order to express ourselves and make sense of our lives, we ‘story’ our experiences, because it is through this process of ‘storying’ that meaning is derived. It is notable that narrative perspectives exploring this storying process have been independently developed in several disparate areas. These include social linguistics (Linde 1993), models of humanity and science (MacIntyre 1980: 70; Danto 1985), theories of human action (MacIntyre 1985) and social science research (Sarbin and Kitsuse 1994).
However, the power of myths and stories to cross civilizations and their boundaries over time while maintaining an affinity with the whole experience of life can be utilized at a deep level of the world of the unconscious, through dreams and symbols, to provide a meaning of being and belonging. Or, at a more practical and fundamental level, they can be used to facilitate a model, outside to be taken in, to encourage insight and ultimate acceptance of those unacknowledged, unseen and possibly rejected parts of oneself.