By Hal Leonard Corp.
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Additional info for Broadway Overtures For Piano Vol1
Hopefully to resolve the records in question, optimistically to confirm and add to the biography, and to inform Benny about my book, it was essential that I meet with him. To my surprise, his address and telephone number200 East 66th Street, Templeton Page xx 8-5280were in the Manhattan directory. (Surely, celebrities had unlisted telephones? No, he was a working musician, open to offers, needed to be readily accessible. ) I phoned, got his secretary, Muriel Zuckerman. I explained why it was necessary that I interview Benny.
Benny never asked anything of a musician he didn't demand of himself. I never heard him play a careless phrase or approach a piece of music with anything less than the determination he displayed at his historic Carnegie Hall concert in 1938. Is it any wonder that he was impatient with those who settled for less? Shortly after Benny was laid to rest in Stamford, I made a visit to his grave site to see that everything was in order. I found there, resting against Benny's headstone, warped in the heat of the sun, a 78 rpm recording of "Good-bye", his famous closing theme.
And fired Loren for the last time. Yo, Benny . . Benny Poorman There were many times that I pitied Benny, no matter his talent, fame, wealth and assured rank in history. Too often was I with him when pain almost overwhelmed his iron resolve to ignore it. One occasion that's etched in my memory is a black August night in the seventies, on the muddy fairgrounds at Stanhope, New Jersey. Although still summer, sheets of rain driven by a cold wind made me glad of my lined raincoat, sorry I'd not worn boots.